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Aleksić, Lucija
Babin, Ankica
Balabanić, Josip
Balen, Branka
Balen-Letunić, Dubravka
Barbalić, Željko
Barbić, Vesna
Baričević, Dorotea
Baričević, Marina
Batorović, Mato
Bauer, Antun
Bauer, Antonija
Begonja-Vidović, Leonilda
Benc-Bošković, Katica
Benyovsky, Lucija
Borošak-Marijanović, Jelena
Brajdić, Vjekoslav
Brlošić, Stjepan
Bulat, Mirko
Buršić, Herman
Cvitanović, Đurđica
Čorak, Željka
Ćus-Rukonić, Jasminka
Diana, Deša
Diminić, Josip
Dobronić, Lelja
Draganić, Danica
Drechsler-Bižić, Ružica
Dukat, Zdenka
Durbešić, Viktorija
Dvojković, Zdravko
Eckhel, Nerina
Fazinić, Alena
Frajtag, Zdenka
Gašparović, Ljerka
Girardi-Jurkić, Vesna
Gjetvaj, Nada
Goll, Predrag
Gotthardi-Škiljan, Renata
Hajduk, Stjepan
Hećimović, Branko
Heim, Mira
Horvat, Ida
Horvat, Vlado
Horvatić, Franjo
Iskra-Janošić, Ivana
Ivanuša, Dolores
Ivetić, Marija
Ivkanec, Ivanka
Ivoš, Jelena
Jajčević, Zdenko
Kalauz, Ksenija
Kalšan, Vladimir
Karaman, Antun
Kečkemet, Duško
Kelemen, Boris
Kero, Pavao
Kirigin, Branko
Klemm, Miroslav
Kličinović, Božena
Kosanović, Nikola
Koščević, Želimir
Kraguljac, Božena
Kralj, Ariana
Kružić-Uchytil, Vera
Ladović, Vanda
Ladović, Josip
Lazarević, Aleksandra
Lechner, Zdenka
Leskošek, Vilim
Lončarić, Magdalena
Majanović, Nada
Maleković, Vladimir
Maroević, Tonko
Maroević, Ivo
Maruševski, Olga
Matić, Ivan
Mrkobrad, Valerija
Munk, Zdenka
Nedved, Branka
Orlić, Alma
Oštrić, Olga
Oštrić, Goroslav
Pauletich, Antonio
Pavić, Vladimira
Pavlović, Zagorka
Petricioli, Sofija
Petr-Marčec, Smiljana
Premerl, Nada
Prister, Boris
Quien, Guido
Radauš-Ribarić, Jelka
Radovčić, Jakov
Ramušćak, Ljubica
Randić, Mirjana
Rendić-Miočević, Ante
Ribičić-Županić, Anica
Rus, Zdenko
Sakač, Mirjana
Schneider, Marijana
Sokač-Štimac, Dubravka
Sorić, Ante
Staničić, Stanko
Stergar, Branka
Susovski, Marijan
Šercer, Marija
Šestan, Ivan
Širec, Ljubica
Škulj, Božica
Šterk, Slavko
Šutalo, Kata
Toldi, Zvonimir
Tomičić, Jasna
Tonković, Marija
Tonković, Snježana
Uskoković, Jelena
Velić, Biserka
Vikić, Branka
Vinterhalter, Jadranka
Vojnović, Zdenko
Vojnović, Mihovil
Vorano, Tullio
Vrbanić-Fadjejev, Ivana
Vrkljan-Križić, Nada
Zebec, Vladimir
Zidić, Igor

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Đurđica Cvitanović


kliknite na sliku za veću rezoluciju
kliknite na sliku za veću rezoluciju
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Vocation BA (art history)
Advanced qualifications PhD
Professional Grade scientific researcher (ret.)
Field of work Religious and profane architecture of the Baroque and the 19th
Particular specialisation Architecture of Karlovac, Klanjec and the city of Buzet, architecture of Zagreb
Home institution Institute for the History of Art, Zagreb - consultant
Biography
Đurđica Cvitanović was born in 1924 in Gospić, where her father, although from Istria, was a teacher in the neighbourhood of Gospić. She spent her childhood in Zagreb, and attended high school in Zagreb, Krk and Bjelovar. She enrolled in the Medical Faculty, but after two years abandoned this course and after WWII enrolled in the art history course in the Faculty of Philosophy in Zagreb. She took a master’s in 1956 and a doctorate in 1972.
She never had a full time job, but constantly worked part time for the Institute for the History of Art in Zagreb and occasionally for the Strossmayer Gallery of the Croatian Academy, as well as for several restoration workshops. She created numbers of study and specialised and scholarly exhibitions, scholarly papers and books. The immediate field of her work is the architecture of Karlovac, Klanjec and Buzet, religious architecture, the Baroque and the 19th century. She won numerous prizes and awards for her work, including the Bartol Kašić prize for scholarly work, the city of Zagreb Prize for the exhibition Holy Trace, put on in 1994, to mark the 9th centenary of the foundation of the see of Zagreb.
As member of the Hague Convention Commission of the Ministry of Culture of the Republic of Croatia, at the time of the Homeland War she organised the evacuation of artworks from the endangered areas of Dubrovnik, Osijek, the Kupa and Sava river valley areas. She was a member of the Committee and the chairperson for the CE Initiative of the project on the Baroque in Central Europe (1991-1993), headquartered in Bratislava.
Her documentation about religious and secular architecture has often been used by the Croatian Restoration and Croatian Conservation Institutes. She has organised many conferences and symposia, and has frequently contributed to specialised periodicals.

NB. Data taken from the questionnaire, material taken from the Personnel Archives of the MDC, and from an interview recorded on March 3, 2003.


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